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King Crimson

The Nightwatch

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Erscheinungsjahr: 1997 (Aufnahme von 1973)
Besonderheiten/Stil: live; Klassischer Prog
Label: DGM
Durchschnittswertung: 14/15 (2 Rezensionen)

Besetzung

David Cross Violine, Mellotron
Robert Fripp Gitarre, Mellotron
John Wetton Bass, Gesang
Bill Bruford Schlagzeug

Tracklist

Disc 1
1. Easy Money 6.15
2. Lament 4.14
3. Book Of Saturday 4.09
4. Fracture 11.28
5. The Night Watch 5.28
6. Improv: Starless And Bible Black 9.13
Gesamtlaufzeit40:47
Disc 2
1. Improv: Trio 6.09
2. Exiles 6.38
3. Improv: The Fright Watch 6.03
4. The Talking Drum 6.35
5. Larks' Tongues In Aspic (Part II) 7.51
6. 21st Century Schizoid Man 10.39
Gesamtlaufzeit43:55


Rezensionen


Von: Udo Gerhards (Rezension 1 von 2)


"The Nightwatch" präsentiert jenes Konzert in Amsterdam im November 1973 in voller Länge, bei dem grosse Teile des Materials für "Starless And Bible Black" aufgenommen wurden. D.h. ca. 26 Minuten des Materials finden sich auf dieser Platte, allerdings wurden auf "The Nightwatch" soweit möglich im Studio nachträglich hinzugefügte Spuren gelöscht.

Zur Musik muss man eigentlich nicht viel sagen (vgl. auch die Starless And Bible Black-Rezi); diese Formation ist in den Augen bzw. Ohren vieler - inklusive meiner - die beste bisherige Inkarnation "King Crimsons" gewesen, und ihre volle Kraft und ihren vollen Druck entfaltete diese erst in der hochintensiven Livesituation. Dies ist durch das "Great Deceiver"-Boxset und auch "The Nightwatch" eindrucksvoll belegt. Schon die eröffenden Akkorde von "Easy Money" sprechen Bände für Intensität und Format der Band; man mag es kaum glauben, wenn David Cross, damals Violinist der Band, im Booklet schreibt: "We were long term and deep down tired by the time we played the Concertgebouw". Wettons Fuzz-Bass drückt und kreischt, Bruford spielt druckvoll und subtil gleichzeitig, Fripp ist sein wie immer hervorragendes selbst sowohl im sanften Zupfen als auch schräg fordernden Solieren, und David Cross versucht mit Violine, Mellotron und E-Piano gegen den Ansturm der Rhythmussektion anzukommen. Es gibt Momente aussergewöhnlicher Kraft und Energie, siehe "The Talking Drum" und "Larks' Tongues In Aspic II" vom "Larks' Tongues"-Album, die die Studioversionen einfach wegblasen, ebenso wie wie intensive bitter-süsse ruhige Momente, siehe "Book Of Saturday" und vor allem das improvisierte, aber zum Heulen schöne "Trio". Und natürlich gibt es auch wieder aufregende Impros ohne Netz und doppelten Boden, wie sie in fast allen Crimso-Inkarnationen fest zum Liveauftritt gehörten. Da stört es eigentlich gar nicht weiter, dass der Livecharakter der Aufnahmen sich z.B. im Brummen von David Cross Mellotron äußert, das während des Titelstückes seinen Geist aufgab. Abgesehen davon ist die Aufnahmequalität hervorragend und ohne Tadel.

Falls jemand tatsächlich diese "King Crimson"-Ära noch nicht kennen sollte: das ist der Platz, um sie kennenzulernen. Aber auch der, der nur die Studio-Platten hat, sollte sich den Kauf von "The Nightwatch" ernsthaft überlegen: es lohnt sich!

Anspieltipp(s): The Talking Drum
Vergleichbar mit:
Veröffentlicht am: 21.5.2002
Letzte Änderung: 14.8.2003
Wertung: 14/15

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Von: Ralf J. Günther @ (Rezension 2 von 2)


Es gibt dermaßen viele King Crimson-Veröffentlichungen, die Besprechungen auf dieser Seite vermehren sich wie die sprichwörtlichen Karnickel. Es dürfte für Neulinge wirklich schwer sein, da noch durch zu finden.

Deshalb in aller Kürze, Udos Rezension unterstützend: Dies hier ist eins der besten KC-Alben - rein musikalisch und als Einstieg!

P.S.: Leider wird nicht jeder (wie ich) das eigenartige Glück haben, diese wichtige Veröffentlichung für sage und schreibe zwei Mark im Ramsch zu finden. Es lohnt sich aber, auch mehr dafür auszugeben.

Anspieltipp(s):
Vergleichbar mit:
Veröffentlicht am: 15.1.2004
Letzte Änderung: 15.1.2004
Wertung: 14/15

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2000 Discipline - Live At Moles Club 1981 8.00 1
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2001 Live in Berkeley - 1
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