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April Fishes

Carpe d'Or

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Allgemeine Angaben

Erscheinungsjahr: 2016
Besonderheiten/Stil: instrumental; Ambient; Jazz; Jazzrock / Fusion; Moderne Klassik; Postrock; RIO / Avant
Label: grolektif
Durchschnittswertung: 9/15 (1 Rezension)

Besetzung

Adrien Dennefeld Violoncelle, compositions
Manuel Adnot Guitares 8 cordes et nylon, compositions
Romain Dugelay Saxophone baryton, electronics
Sylvain Darrifourcq Batterie, machines

Tracklist

Disc 1
1. Offshore 5.56
2. Nori et Wakame 3.55
3. Carpe d’Or 5.46
4. Tendance brique 7.23
5. Les eaux du gouffre aux tortures 5.19
6. Nishiki 7.41
7. La fosse de Mariannes/Pays de Neige 8.25
Gesamtlaufzeit44:25


Rezensionen


Von: Siggy Zielinski @


Adrien Dennefeld (Cello, Kompositionen) und Sylvain Darrifourcq (Schlagzeug, Electronics) gehörten zu den Gründungsmitgliedern von April Fishes im Jahre 2014. Die beiden sind auf unseren Seiten schon als Mitglieder von Barbacana, oder In Love With aufgetaucht. Der Gitarrist Manuel Adnot hat als Mitglied von Aeris bei uns schon seine rockigere Seite präsentierten können.

Die Musik auf dem Debütwerk “Carpe d’Or” erinnert jedoch seltenst an eine der obengenannten Formationen. Die von Dennefeld und Adnot stammenden Kompositionen sollen ein Konzeptwerk über die Unterwasserwelt bilden. Die Inspiration durch den chinesischen Schriftsteller Mo Yan soll auch eine Rolle gespielt haben.

Schneidende Gitarren, Schlagzeug, Baritonsax und Cello vermitteln in „Offshore“ eine düster-aggressive Stimmung, wobei Baritonsax und Cello schon mal gemeinsame Riffs anstimmen. Falls jetzt Avant-Prog-Sympathisanten mit Vorfreude denken sollten, dass es immer so ähnlich weitergeht, es könnte eine leichte Enttäuschung auf sie warten.

„Nori et Wakame“ präsentiert melancholisch eingefärbte Musik zwischen Avant-Klassik und Jazz, mit charakteristischen Perkussion-Effekten von Darrifourcq garniert. Melancholisch, repetitiv und getragen geht es im Titelstück weiter, mit unverzerrten Gitarren und Cello in den Hauptrollen, so dass die Vergleiche mit Sigur Ros auf einmal Sinn ergeben.

„Tendance brique“ wechselt zwischen treibenden Space-Jazz-Rock-Jams und nachdenklich wirkendem Postrock. „Les eaux du gouffre aux tortures“ ist eine sich langsam von Melancholie bis zur Aggression verdichtende Improvisation für akustische und elektrische Gitarren, Saxophon, Schlagzeug und elektronische Effekte. In „Nishiki“ stehen die Parts für eher entspannte akustische Sologitarre neben bedrohlichen Dark-Ambient-Passagen.

„La fosse de Mariannes“ bietet mit flirrenden Gitarren und leidenschaftlichen Saxsolos eine Art von epischem Postrock-Jazz, während „Pays de Neige“ ambientartige Stimmungen für schwebende Gitarre präsentiert.

Hoffentlich wird „Carpe d’Or” mit der ungewöhnlichen Mischung aus Ambient, Avant-Prog, Jazz, Jazz-Rock und Postrock ihr Publikum finden.

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Veröffentlicht am: 17.4.2016
Letzte Änderung: 17.4.2016
Wertung: 9/15

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